Confessions of a Book Hoarder

Advice For The Sleepy

Tue, 12 Feb 2013 19:55:44 -0500

“Write what you want to read.” I think of these words staring at my reflection in the window opposite my desk. My red Ikea lamp makes my eyes look glassy and I feel like I look ghostly and beautiful in a destroyed, panicked sort of way. It was late at night when Vi told me to stop trying so hard and just write what I want. We were laying in the dark on another of our Ikea purchases talking in confused snatches as I fell in and out of sleep. Holding hands under the covers we get as much connection as we can. With our schedules at odds, this has been how we spend our brief time together as Vi works nights and I am unable to stay awake passed 11pm.

“Ask yourself what you like to read and write that.” I was embarrassed to find that the answer to this statement is not literary at all. Besides poetry, which I find to delight a core in me I am both relieved and frustrated to know I have, what I really like to read are information books on animals and sentimental stories injected with love and forgiveness. And especially if there is the very Christian word redemption and growth, I am all about it. Sentimentality, I read somewhere once, is the worst. Blah, boo, lame. My brain has held fast to this statement as truth. However, the idea of it sticks to me like a bad smell and try as I might my heart is infested with the stuff.

“Who cares what other people think is good.” This is the last thing I remember hearing Vi say before I patted her arm and said, “Time for sleep.”

“Goodnight, Jellybean.”

“Goodnight, Vitrans.”

After, I assume, the night followed a pattern. Vi gets up quietly and goes to the living room. I sleep a sleep filled with dreams of despair and loss, waking up a few hours later covered in sweat, confused, and sad. Vi brings me water. “Jellybean, you’re soaked.” Back to sleep until morning, probably another dream but nothing I can remember too clearly.

Since this conversation I have not been able to stop thinking about writing and voice and what it means to write what you want to read. I believe there are many ways to travel to your writing, your stories, your style, but I have a sinking feeling Vi is right. Instead of being some literary genius (which is my desire) changing the world one letter at a time, I am going to rely on my heart and emotions to tell the stories which are coming for me. It scares and inspires me to think that my writing career is going to continue to be filled with, as wise Vi says, stories I like to read.

The Well-Stocked Braincase

Thu, 07 Feb 2013 08:32:00 -0500

It has come to my attention that I am not where my brain would like me to be intellectually. To punish myself and alleviate the problem I have enrolled in college and am reading through a list of books I ‘should’ have read by now. I picked my list out of a small moldy volume from my parent’s house; The Well-Stocked Bookcase: Sixty Enduring Novels by Americans Published Between 1926 – 1986 (the year of my birth). The first page is a letter from The-Book-of-The-Month-Club explaining that the titles represented in TWSB were chosen by the Editorial board and that in its total “is a love story” which contains “enduring novels…that have changed how we Americans talk, think, write, feel and see ourselves.” Apparently, this slim purple, and with time yellowed, volume was gifted to members as an appreciation of their loyalty to The-Book-of-The-Month Club. At the time my parents received this present I was about six years old and as a family we had just moved into the house in El Paso, Texas where I spent the remainder of my childhood and adolescence. I remember seeing this book float around our bookshelves and coffee-tables in what seemed like an attempt at prominence and seriousness. “Here I am,” it seemed to say, “an authority on literary knowledge. I have come to mock you in your ignorance.” Somehow during its 20 year journey it ended up in my room where I discovered it during my most recent visit. As I skimmed through its pages I heard my brain say, “Wow, out of the 63 titles you have only fully read 5. Don’t lie, you never finished Catch-22.” Lately I have begun poo-pooing my brain when it whispers things in this way as rude and unnecessary. Like listening to an undercutting Aunt, I roll my eyes, let it rattle on until tea time and make a silent promise to visit less often. But, since deciding that a career in something associated with writing/animals/art /therapy is the way I would like to make my living, my brain has convinced me that I am very behind and very handicapped in regards to education and knowledge. This brings up a whole myriad of fears and self loathing, which I refuse to give voice to here, but which waste no time in bringing me to tears. I stuffed the book into my over packed suitcase and got to work reading once I got back to New York.

One of the many initial issues I had with this particular list is its lack of female writers. Given the time period we are covering and the fact that there was only one female on the board of editors at the time of TWSB’s publication I decided to put this aside as something shitty and let it stink there for the time being. The second thing I noticed and which bothered me more was the prominence among the authors chosen of well-off pompous white men. There is nothing wrong with being a white male writer, but I have an issue caring about white male characters squandering every opportunity and destroying whatever love they have been gifted in their lives just because they are bored or they find life hard, which is what I find most of the titles chosen by these white male authors to be about. Life can be boring and hard, and I have spent a fair amount of time mucking it up for both reasons, so why would I want to read a 400 page novel about doing so? I did think to myself, “So why don’t you chose another list?” Well, because frankly, I think my judgments are narrow and unfair, just like I would find judgments that books by white female lesbians are only about having sex with the wife next door while finishing the laundry narrow and unfair. I haven’t read these books so how can I know what truths and troubles they contain? Also, in my experience where there is a negative there is also a positive. Unless I give it a try I might miss out on something magical or insightful or inspirational. And there is something valuable about taking a moment to investigate something you are against/not sure about before writing it off. I might still come away feeling the way I felt when I finished The Catcher in The Rye (which was “QUIT YOUR WHINNING!”), but I then again I might not.

So, here’s to taking chances, literary and otherwise, and to diving into something judgments aside! I have attached a link to the list below if you are interested. I am starting with Eudora Welty’s Delta Wedding.

http://sonic.net/~rteeter/grtbomc.html

My Mother's Daughter

Thu, 29 Mar 2012 16:18:00 -0400

I am having a moment. My soul feels restless and my foot shakes with anxiety. My focus is low and the ability to absorb emotional subjects is in the negative. For example, watching a video about a blind puppy who is saved from a early death on a trash heap reduces me to a sobbing mess. Even the stupid song playing in the background seems perfect.

Similarly, I cannot bring myself to read certain things. War Horse, Wild Blue, Woman On The Edge of Time, and anything other than Veggie Tales shoots deep into my soul and sinks it. I didn’t always feel this way. As a child I would turn to my sobbing mother and coldly say (in a way only children can), “Don’t cry Mommy. It is only a movie.” I was embarrassed that she couldn’t hold it together. I mean, wasn’t she suppose to be British? Stiff-upper-lip and all that? When we went to go see one of the Michael Keaton Batman movies in the theater she insisted we leave thirty minutes in. I was so mad.

But now I get it. When my exes would turn on the L Word I would either leave the room while the going was good or leave as soon as the drama started. Which if you haven’t seen the show, is every 3 minutes or so. I watched Get Low and cried all night. Just balled these peepers until sleep came. Hearing news of possible change in a friend’s life I sat up in salt water, phlegmy, sadness the whole night.

I am sensitive. Really, really sensitive. Always have been, but as I get older it gets worse. When my mom and I talk about it she says the same thing happened to her. The smallest sight of blood would make her weak when she became a nurse in her mid-thirties. None-the-less, she moved to the US and was a nurse for intensive care babies for over 15 years, and then a middle school nurse until she retired. She was an excellent nurse. People still stop to thank her for all she did for the children and babies in their lives, even if they didn’t make it. She had babies die in her arms in the NICU. I never understood how much strength this took on her part.

My mom and I are clearly related. We look like older/younger versions of each other, we have exactly the same laugh, we enjoy our own jokes (especially if no one else does), and we are delicate sensitive creatures. We feel the highest highs of joy and the deep darkness of low. But, give us someone to take care of and it is like we never tire and never falter.

My mom even more so than me. As a nurse she knew exactly what had to be done and was ready for all worse-case scenarios. Similarly, I can be flustered and nervous if a client at my job is “mean”, but if one of my loved-ones needs something I am there in a flash. Confident and collected with advice whether it is wanted or not.

Recently, I was asked by a dear friend to join an Intentions group. I went through what I imagine to be the regular insecurities about starting something new. But I am tired of being sad and sorry and hateful toward myself. So I dove right in and now I am writing this.

So?

Well, one of my intentions was to allow creativity to follow through me in the form of writing everyday. I have not felt this full of creative expression in such a long time as I do right now as I write this.

I don’t know what this has to do with books other than that I also intended to curb my book buying habit to help save money for big things coming up. I have been entering my favorite haunts and exiting without buying anything, opting instead for my much loved library.

I suppose what I am trying to say is strength comes in different forms. Some people raise children, some sing in musicals, some fight disease, some give up their jobs to help the hungry, some diet, some create jewelry, some rescue animals, some are activists for women, some give their hearts openly, some people run marathons; the list is endless. My mom is retired from nursing and is becoming a skilled watercolor artist. She is so strong and brave.

On Sunday I have orientation to volunteer at an animal shelter in the city. I have been cautioned because of my sensitive heart. “You are going to want to adopt everyone!” or “Pictures of animals make you cry. Why would you do this to yourself” It has made me question my ability, this truth about part of who I am. But two things have happened which have made me confident about the path I am on: my Intentions group and realizing that I am, thankfully, my mother’s daughter.

I Was Amelia Earhart by Jane Mendelsohn

Fri, 17 Feb 2012 13:25:00 -0500

Writing is like flying. Or, at least I like to tell myself that it is. I like to pretend it takes the same amount of courage as it took the first pilots to hope their efforts would not kill them. Sometimes writing feels dangerous, like Amelia Earhart crashing through the sky; becoming careless in order to escape a life she had built. All I can see ahead is the ocean as my plane whisks downward when I run out of gas. I turn to my navigator and realize I don’t have one, or at least not one who is other than my brain. In the moment of loneliness, just before the crash, I ask myself aloud, “What the hell is happening?”

Since a book of my poetry was released I haven’t written much. Scribbles here and notes there, but nothing I would call writing. Since that life giving project I have fallen in love again. The kind of love which makes me think of a well cooked, savory meal; suddenly you are full and you don’t remember when during dinner it happened. You reach for more pie and hope the feeling never ends. My love is a quiet person with long delicate fingers and intelligent, peaceful eyes. A gentle person with a surprising past, who is willing to play pretend and encourage the frequent use of crayons. Full of curiosity which is only hampered with the most withering of stares and who’s dreams sound so lovely they have begun to melt with mine. Our relationship is on the runway and it seems to be clear skies all the way. But, we agree, it is never really known what the blue will bring. We press our nervous palms together, interlacing our fingers in silent prayer that the weather channel was right.

I bring up this shift in circumstances not only because it is dearly important to me on a personal level, but also because it has helped to change the course of my writing. I have looked to subjects other than my depression and the terrible curses I have cast on my relationships. My love is not totally responsible for this shift, there have been many changes and relationship mendings which have contributed. And it is true, I still take a heart connection into consideration when I am browsing a subject. However, I find it difficult to accept stories without hope in them. I can clearly see the problem with this— life basically— and yet make no attempt to adjust it. So, when I picked up I Was Amelia Earhart, by Jane Mendelsohn, from on of the many stacks quietly taking over my livingroom floor, I didn’t expect what I ended up getting.

I found myself sitting on my futon, eating popcorn soaked in hot-sauce, and reading the thin creamy volume for a few hours. I am was so taken with the story and writing I didn’t realize when the popcorn ran out, and I was dangerously chewing on the kernels, until my jaw started to hurt. I found the novel full of poetry at its most effortless. The style of this fiction about what could have happened to Earhart and her navigator Fred Noonan reminds me of one of my other favorite writers, Marilynne Robinson. Although, Housekeeping leaves you with the feeling you are sinking and I Was Amelia Earhart sends you flying, my heart remembers them together because they struck it in the same way.

In Mendelsohn’s book Noonan is a drunken womanizer and Earhart is a bossy brat. If anyone has despised anyone in the history of intense partnerships these two do. They bicker like brother and sister; Amelia childishly throwing his glasses in the dirt and Fred stubbornly refusing to take off his shoes at a spiritual temple. It is almost embrassing to read how they go on. At times I felt like a third party trying desperately to ignore their tantrums in the hopes that others around us would do the same. I want to stand gently between them and say, “There is more at stake than either of you care to admit.” I know they wouldn’t listen. You see—the problem is—they both want to die.

They are both aware of other’s recklessness and therefore are afraid of and detest one another with ruthless attention. We follow their last flight in the public eye and through the crash, all the way being moved from one perspective to another. The blame is shifted back and forth like the narration without causing the reader to go mad. Mendelsohn handles these switches with grace. We get to see Noonan’s thoughts as Earhart tells us their story from the sky and sit with them on the beach as she continues right in-front of our noses.

I don’t want to say much more, because then I will say too much, just read this book. I finished it in a day and will add it to my shelf of favorites along-side The Life of Pi and The Things They Carried. I plan on exploring Mendelsohn’s other novels: Innocence and American Music to see if I have found what I like to call a, “Soul Writer.” A writer of work that touches my soul.

With her first novel a journey is what you will go on. Relax, don’t be afraid. What I said before about the problem being that they both wanted to die? Well, it might turn out to be the solution. Let the wind take you for a few hours. Who knows, later you might dream of the sea.

The Dreamer by Pam Munoz Ryan with illustrations by Peter Sis

Fri, 25 Nov 2011 21:16:00 -0500

My first realized visit to the New York Public Library left me speechless. I climbed the stairs with my breath caught in my chest not only because they are steep and numerous but also because I felt in the presence of something holy. Two huge lions guard the entrance, giving a feeling of something mystical and creative. It has become the closest thing I have to a cathedral in which to worship. The walls vibrate with a divine energy and I feel safe like nowhere in this world. Sitting amongst the silent I hear the whispers of stories from all over the world. From all different shapes of hearts have these words spilled across many many pages. People have devoted their lives, money, family, and health to the completion of the works that surround us busy bees. That is what makes the place blessed. Pages and leather, ink and titles aren’t what fill me with excitement, hope, and motivation. It is stories. The stories written in the volumes and the lives of the people who created them.

Sometimes I stand gaping at shelves frustrated that I will never be able to read all of their books. I wish I could melt into the spines and become part of the glue and ride the silver fish. Travel from page to page living out and drinking from the veins of each publication. My favorite place to imagine this is the children’s section. With its wimsy painted walls and short chairs it is there I find the most hope, magic, and growth. Adult books can cause a type of reverence in me, like a child tiptoeing past a sleeping Grandfather. “American Psycho”, for example, emanates an aura of darkness (and I fear it). I stand in awe of the powerful feeling it creates and of what I have heard of its unforgettable text. I pass over it. Feeling at this point in my life an overdose on hope and adventure is what I need and will push me forward on my path.

I have read a book recently which infused me with inspiration and hope. “The Dreamer” is an eye-catching work by Pam Munoz Ryan with illustrations by Peter Sis. It seemed to be pointing at me from the shelf on one of my rehab visits to the small Queens, New York library near my home. I call my trips to the library “rehab visits” because I can take out as many books as I want without feeling guilty or overwhelmed. I can hear my wallet thanking me when I dash past all of my favorite book haunts with eyes averted focusing on a public library. This tiny reading space in Queens has become a new favorite. So small and quiet, tucked away behind a food court in a financial building, the limited selection has allowed me to find gems I might have been missing in the overstuffed libraries of Manhattan.

Set in Temuco, Chile in the early 1900s “The Dreamer” is the story of Neftali Reyes; a sickly young boy with a deeply real imagination. Neftali lives with his family: Mamadre; his stepmother, his younger sister, Laurita, his elder brother Rodolfo, and his father, Jose. Father, is a tyrannical cloaked figure standing in doorways demanding Neftali to stop dreaming and make something of himself. He bullies his son into believing he is a disappointment and forces the titles of doctor or business man upon him causing Neftali to believe he will fail at everything before he starts. The paternal urge to want the best for your children; helping them avoid what you believe to be your mistakes is definitely apparent in Jose’s character. This, however, seems of little comfort when his ideals burn up Neftali’s dreams one flame at a time, even putting his life in danger.

It is not a secret that under great oppression comes great art. And the questions in my mind have always been: is it worth it? If there was never struggle would we see and hear and feel our way into expression? Would I rather be a tortured soul and write about it, or be at peace and never put pen to page? Honestly, this is an irrelevant question anyway. There is always pain in this world. Each life has strife no matter how small or seemingly insignificant.

Neftali flearns this when faced with possibly drowning with Laurita as Father forces them to tackle the ocean when learning to swim. But where there is pain there is joy. During this time he finds Augusto’s library, cottage, and swans as he storms off to escape Jose. We follow Neftali until he leaves for college; sometimes dropping in a few years after where we left off in the last chapter. There are characters I wish we knew more about: Augusto, Nefatli’s birth mother, Blanca. We pass them as if on a moving train. This narrative moves swiftly on and we only have so much time to see their faces before we are on to the next place; like the landscape from a train window sometimes in stories we only get a blurry outline. Such is life. The poems, questions, and drawings (the later by Peter Sis) add to the magical nature of the narrative. The book lacks structure which I imagine is what it feels like in Neftali’s mind. This is also the most mentioned quality by critics. Which makes me ask, “Really? It’s called ‘The Dreamer’ what do you expect?”

As I think of Neftali leaving for college I am made aware of my surroundings. My library cathedral is in New York City where I came to pursue acting after High School. I scan the people around me at the long wooden table and see that most of them are students from different places around the world. Many of us know what it is like to leave home to find ourselves. And lots who have gone into art careers know of the uncertainty and courage/naivety it takes to follow those dreams. Some of us have done so despite our parents wishes, and so it is with Neftali. As he heads out there are certain decisions to be made about his path in life and looming over his pen is Father. With crushing criticism, literal fire, and threats Jose seeks to scare Neftali into submission because he knows once out of the house Neftali can do as he pleases. But contrary to Father’s opinion Neftali is no longer a weakling to be pounded into submission. One foot out the door he turns to his father and makes a promise. “Neftali Reyes will not disappoint you.” He is full with a secret and like Bastian in “The Neverending Story” after giving The Childlike Empress a new name, Neftali boards his train to a world of possibility and freedom completely of his own making.

The Things They Carried by Tim O'Brien

Fri, 28 Oct 2011 13:52:55 -0400

I felt lonely. The kind of lonely that comes with a quiet moment when there is no Internet or movie or person to distract from what is really going on in you. I sat in my green bathrobe, sipping black coffee (with Cinnamon) out of a cup with mustaches printed all over, listening to the rain. I live in a basement and can’t see the rain, but I can hear the sharp plunks of sound it makes as it hits the grates above the grime covered holes in the ground we call windows. They are so small that when we are locked out of the house my roommate and I thank the stars we are both small enough to slip through. I am the luckier of the two in this respect as my chest carries not much extra that can get smashed against the edge of the frame as I lay on my back and shimmy my way into the kitchen. Late morning and it is already gray outside and will probably stay that way, but even if it were sunny I would hardly be able to tell. To help ease the separation from the sky and also the winter S.A.D.s I have taken to sitting in front of a light-box for thirty minutes in the morning. While basking in this mood enhancing warmth I usually read, most recently allowing me time to work my way back through The Things They Carried by Tim O’Brien.

The Things They Carried has one of my favorite beginnings to a book I have ever read. Simple and heartbreaking it chronicles what the men in the Alpha Company carried when the “humped” through Vietnam. I remember sitting up all night reading through the stories, enthralled by O’Brien’s ability to get you to trust him, believe every word, and at the same time drive you nuts with his lectures on what he thinks makes a story true, calling into question all that he had written before. I had given my copy away long ago and was on the hunt for an affordable replacement ever since. I have no idea who borrowed it, or if I gave it to my Dad, I just know that since being parted from its company I have missed the story of Vietnam and the men in O’Brien’s memory. I finally found a copy at Mercer Street Books not far from where I work in SoHo. I walked in to browse and suddenly it came to me that I would find this book in the fiction section. And there it was, the only copy of any of his works and it was 7.50. Along with an Anne Lammott book and a commentary on Martyrs I spent about twenty dollars and felt a surge of guilt. I have taken to ignoring this feeling after telling it to fuck-off. And for the most part I am proud of my defiance. When I worry over the affect my addiction is having on my life people usually respond with a there-are-worse-addictions-to-have type comfort which I wrap around my mind like a down comforter in December.

I sat very still in my warm and safe underground home listening to the patter of the water above and thinking of the men and all they carried. All their equipment, sorrow, guns, love and fear. Their racism, cruelty, friendship, letters and food. I can see everything Tim describes. I know exactly how each solider looks. I am there when Curt Lemon gets blown up, with his innards and skin and bones hanging from the trees like Christmas tinsel. The color of the sun as it hits his face the second before his foot comes down “on a booby-trapped 105 round.” I hear Kiowa’s gurgling scream as he takes a bullet and is swallowed by the shit field. I look into Rat Kiley’s wide bloodshot eyes as he tells me about the bugs that are out to get him. I smell and see O’Brien after a bullet jumps up into his butt and he almost dies from shock waiting for help. I sit inside their minds as they think of love and death and what they would be doing if they weren’t at war. I sleep with them on the ground in the rain and dig their dead friends out of the mud. I will never forget the sound of the gun as Kiley puts bullets into the baby water buffalo they find after his best-friend is reduced to nothing more than scraps of flesh thrown down from branches. The silence between the shots seems to go on and on and when he finally continues to put lead into the animal it makes me jump, every time. I realize then that the water buffalo isn’t making any noise, each abuse is taken as if it knew what was coming and accepted it.

My first reading of this work was when I was about 19, six years later I have a whole new understanding of the ideas O’Brien is pushing. I feel like I understand, which is pretty much impossible. I have never been forced into war. Have never shot at anything other than cans and old furniture in the desert with my Dad and Uncle Tom near by drinking canned beer gently making jokes about farts and cars. The closest I have ever been to roughing it is sleeping in a tent when camping with my parents as a kid. I am a caucasian girl from a middle class family who has never known what it is to go hungry or watch your friends die inches away from you, leaving a feeling of pain and sickening relief. Relief that it wasn’t you, this time. Or being taken over by the kind of pain which makes you slowly kill a baby animal. I guess the closest I should come to connecting with O’Brien’s thoughts is on stories and what they do for us and why we tell them. And I do connect with that, I am a writer myself, a spinner of stories. But despite how different my life is from what these young men face in Vietnam I feel my heart entangled with theirs.

I have feared for my life since I became aware of being alive as a concept. I have fought a war in unknown territory, digging trenches in the night throwing up prayers as thoughts as dangerous as bullets light-up above my hiding. Please make it through the night, I would whisper. Tomorrow is a new day. That’s war. A war against myself. The war that keeps me silent when I should speak and causes me to shout out of turn and anger when caution is called for. A pain and fear allowing me to press my gun up against the knees of my own baby water buffalo. Just like O’Brien I have hoped I would be brave, but instead found myself dealing in all kinds of cowardice and cruel behavior. My whole life I have struggled with my mind. It has only been in the last few years I have gotten down in the shit and faced myself. At first the world was out to get me and I ran through the divots of my grey matter hoping to find refuge. Slowly, over years, I came to find that I was chasing my own shadow, or rather that it was chasing me. My own fear held the apposing gun.

So, this loneliness. This anger and hatred and fear. They are there no matter who you are. No matter if you are a house wife, a homeless guy or a CEO. No matter if you are privileged or repressed. My point, I suppose is that we all fight in wars falling asleep under the moon of a foreign land, whispering to ourselves in the dark. But, even as I write this I think that I might be stretching it a bit. Making up a connection because I want so badly to matter. I want my pain to have relevance in this world of wars and hunger and death. But in the end it does not matter. Or maybe it does. My story may never be told. The guys that make up the Alpha Company may disappear off the shelves; out of print. So In my green robe, feeling the unstable quality of time and memory, I let my loneliness happen. I lean back and feel it to the end of every nerve in my body. And as I do I can hear Azar excitedly snapping his fingers as the boys play chess, see Kiowa asleep on the open pages of his Bible and Jimmy Cross crouching in his hole pretending the letters he reads from Martha carry the love he has for her. I smell the dampness of the camp and the sweat of the trek across this land. And as my coffee goes cold I shoot the shit with guys about girls and jobs and our folks and our dead. With the rain as my background and the grey sky as my palette I smile a bit, because for whatever reason I feel connected and understood. Very simply I start to feel less alone.

Songbird with Teddi Tarnoff

Mon, 10 Oct 2011 16:52:00 -0400

Teddi Tarnoff and I have never actually met, but luckily our work has. Randy Grishow Schade became a fan of her work and suggested we ask her help when coming up with promotional material for The Bridge.

I was shocked by the amount of talent and heart her voice and lyrics possess. Together with three other musical ladies Teddi completes a female cover band: Misstalica. Which I think is just…well, cool.

Teddi took on the task of composing a score for the two trailers we shot to promote my first book of poetry The Bridge. Then she worked magic on the poem ‘Arias’ and made a beautiful song out of it. Along, with fellow musician Gina Gleason she was able to cut the fat off ‘Arias’ and transform it; giving it wings.

I never would have thought words I put together could be sung with such passion by an award-winning, professional singer/songwriter.

When I interviewed Teddi I was not at all surprised by the honesty, presence and humor of her answers. It is all there in her music.

Check out what Teddi and Misstalica are up to:

http://www.TeddiTarnoff.com/

http://www.Misstallica.com/

Watch the music video shot and directed by Randy Schade, music by Teddi Tarnoff and lyrics by Jenny Checchia, here:

http://youtu.be/eKwL-netdrA

Come along with me now and meet a songbird who knows how to give a poem wings.

J: If a book from your childhood (or one you have read recently that you wish had been around during your childhood) fell open and you were pulled by a big hand into its adventure, which would it be and why?

T: Umm “Helter Skelter”.. does that make me a big weirdo? I think I romanticize serial killers too much.

J: If you could spend a week in the company of any writer (dead or alive), who, what would you do, and which story/novel/comic/whatever would they be writing while you were there.

T: Roger Waters, he wrote the lyrics in Pink Floyd. Some of the most profound things that man sings about and it all comes from a very dark place. I guess I think I can relate to that and I’d want to try to figure him out and maybe myself too.

J: If you have ever suffered from something; heartbreak, allergies, depression, lactose intolerance, etc. what made you feel better, what did you learn from it and what did you wear?

T: Alcohol? I mean sometimes but it’s fleeting. But I like to be alone in my head, and sometimes that’s good and other times I get lost in there.

J: If you were to write a poem about your life so far, how would it go?

T: Lost her wings at birth

She is only a young girl

But she is ready…

J: If you could replace any actor and play their character; who, what, why and how would you bring something astonishing to the role?

T: I would play Veruca Salt in “Willy Wonka”, mostly cause it would be totally fun, but also cause I think the young actress did a fantastic job and I like to mess with perfection.

J: Being humans, we tend to be overly self-critical and spend great amounts of time saying terrible things to ourselves. What about you do you think is awesome? Go ahead. Go look at yourself in the mirror and find that zipper at the base of your skull, unzip and tell us a story about that one time when you… and found out you are…and DON’T tell me somebody once told you your eyes were pretty. Lame. And duh, anyone can see they are breathtaking. ( if you are the type of person who doesn’t happen to do this, please, give yourself a lovely pat on the knee and then write about how being nice to yourself has changed the way you treat others.)

T: I am kind, sometimes too kind. I am considerate and at times, far too accommodating. It can be frustrating but I think these are my truest and best attributes because anyone can see my bitchy facade, but it’s the people in my life that see all of the good at my core. And I like my toes!

J: What color does the word ‘Penelope’ make you think of and how long does it last?

T: Periwinkle and it’s gone in a flash

J: If you could get any artist in all of history to draw/paint/ take a photo portrait of you who would it be and what roll would you play in their lives?

T: Frida Khalo! I would be the lover she would run to when Diego was acting a fool.

J: Good one!

J: When you fall in love, what does it smell like? If you have never fallen in love write about what you think it smells like.

T: Sweat and salty tears, flesh of someone so sweet

J: In a perfect world I would be there with you, and we would have tea and cookies. Where would we meet, and after a lovely hug or warm hand-shake, what would we talk about.

T: Harrods Tea House, cause in a perfect world we’re filthy rich and can fly off to London whenever we please. And while in London we would speak of the Queen and rugby, all the time in our best British accents.

J: If you could write a book what would it be about, who is the person you would want to read it the most, and why?

T: I would write about life because there is nothing more astounding, comical and unbelievable then our everyday. But I wouldn’t want anyone to read it, I would write it for me alone. And it would be private and thoughtful, far too personal for prying eyes.

J: Sometimes we do things we regret. Think of the person you feel like you have wronged the most and simply write down what you would say to them if one day you turned a corner and they were there.

T: I have already had the very scary and awful experience of coming clean to the person I have wronged the most, hurt the most. I told her of the pain and weakness that lead to the deception. I told her of the daily struggle to deal and make amends. I told her that her love makes me better and stronger and promised there would never be that kind of hurt again.

J: That is very brave.

J: Draw a picture of your favorite style of moustache.

T: Cause it looks like a squid!

J: This is AWESOME!

J: If you had a soundtrack to accompany the story of how you feel right now, what would it be made up of?

T: Urge for Going- Joni Mitchell, on repeat (no lie)

J: If you had a child what would be the most important thing you would want them to learn from you?

T: That they are only entitled to what they work for and that appreciation and respect go a long way.

J: If you could build a bridge to a different time and save your younger self from something scary, what would it be and how would you do it?

T: I would want to save myself from desperate decisions made in darkness. I would show myself pictures of forthcoming happiest days and ask her to be patient.

J: Give a title to the picture below.

T: “See No Evil”

J: One last thing….

What would make you happiest right now?

T: A quiet day at home without responsibility, a movie marathon with kettle corn and my babies- actually have most of that going on, so go me!

J: Yay, you!

"What people read revealed so much about them that she considered our card catalog a treasure house..."

Fri, 07 Oct 2011 13:16:45 -0400

““What people read revealed so much about them that she considered our card catalog a treasure house of privileged secrets; each card contained the map of an individual’s soul.””

- Alice Hoffman, The Ice Queen (via thebookishdark)

"Truly, we live with mysteries too marvelous to be understood. How grass can be nourishing in..."

Fri, 07 Oct 2011 13:15:52 -0400

“

Truly, we live with mysteries too marvelous
to be understood.

How grass can be nourishing in the
mouths of the lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds will
never be broken.
How people come, from delight or the
scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
who think they have the answers.

Let me keep company always with those who say
”Look!” and laugh in astonishment,
and bow their heads.

”

- Mary Oliver, “Mysteries, Yes,” from Evidence (via pauses-and-silences)

bookoasis: Ross Old Book & Print Shop, secondhand and...

Wed, 05 Oct 2011 09:19:24 -0400

bookoasis:

Ross Old Book & Print Shop, secondhand and antiquarian bookshop in Ross-on-Wye, Herefordshire, UK.

Photo by lkeltner

If You Give A Mouse A Cookie...He Will Hate Elijah Wood with M.F. Bottomley

Mon, 03 Oct 2011 15:04:00 -0400

The first day I met M.F. Bottomley was at his wedding. I don’t think we saw each other regularly for years after that. But, everytime I ran into this master of disguise he would recommend something (podcast, book, music) and everytime my world would change.

We have spent hours talking about life, Agatha Christie, Sherlock Holmes and giraffes. Being one of the smartest people I have ever come across, he is also one of the funniest and most generous. We once took a jaunt across the Brooklyn Bridge and ended up with farmer burns and a broader understanding of what makes the other tick (which I guess also makes him one of the whitest…)

M.F. runs a whimsical, deep and challenging website LSAT In The Art Of Zen where you can find life appliciable advice and wisdom whether or not you are lawyer bound. He once told me that he uses the test as a form of meditation because it makes so much sense and is able to calm him down. Don’t you wish that could happen for you? I do. Check out how you can be a better person at www.lsatmeditations.com.

When Michael heard about The Bridge he sent us lots of pictures he had taken and has been a huge support and friend to me as I travel through the world of writing. A photo of M.F.’s can be found within The Bridge as well as a poem or two in-which he plays an important role.

So follow me into a conversation with the great M.F. Bottomley and learn why If You Give A Mouse A Cookie…He Will Hate Elijah Wood.

M: Ender’s Game. I think that that story—a piece of fiction for young adults—more than most shows people’s capacity to be utterly brilliant, despicable, deceitful, and compassionate. I’d love to meet a person like Ender—better yet…be Ender. Also it’s set in space. SPACE!

J: If you could spend a week in the company of any writer (dead or alive), who, what would you do, and which story/novel/comic/whatever would they be writing while you were there.

M: Alan Moore. I’d like to be there for Lost Girls and Whatever Happened to the Man of Tomorrow? I’d like him to teach me a thing or two about voice and words.

J: If you have ever suffered from something; heartbreak, allergies, depression, lactose intolerance, etc. what made you feel better, what did you learn from it and what did you wear?

M: Unless a friend is around—and sometimes even when they are—very little makes me feel better. What does help is telling myself that whatever is bothering me will pass.

J: If you were to write a poem about your life so far, how would it go?

M: It would most certainly be something like ocean water, off shore, well beneath the waves.

J: If you could replace any actor and play their character; who, what, why and how would you bring something astonishing to the role?

M: Octavian from Rome. I don’t know what else I could bring to the role…but asking me why? Hm. Have you seen that show? Geez! Who wouldn’t want to play Octavian?

M: I think I am generally awesome. Not in a douchey way—maybe. But in the same way that I think other people are awesome, with some notable exceptions…I’m looking at you Elijah Wood. You are NOT awesome.

J: Wow. Watch out Elijah Wood, here comes M.F. Bottomley.

J: What color does the word ‘Penelope’ make you think of and how long does it last?

M: Yellow. Doesn’t last more than an instant.

J: If you could get any artist in all of history to draw/paint/ take a photo portrait of you who would it be and what roll would you play in their lives?

M: Either Rene Magritte or Irving Penn. I don’t know about what role I’d play in their life. I’d just be interested to see how they see me.

J: When you fall in love, what does it smell like? If you have never fallen in love write about what you think it smells like.

M: That’s not something I can put into words.

J: In a perfect world I would be there with you, and we would have tea and cookies. Where would we meet, and after a lovely hug or warm hand-shake, what would we talk about.

M: Undoubtedly we would meet beneath a polar ice cap. We would talk about H.P. Lovecraft and about how amazing technology is nowadays that we could be here, under this polar ice cap, not dead, drinking warm beverages.

J: And tell incessant “That’s what she said” jokes. Because that is how we roll.

If you could write a book what would it be about, who is the person you would want to read it the most, and why?

M: I’d like to write something of importance, and I’d like the person who needs it most to read it.

J: Sometimes we do things we regret. Think of the person you feel like you have wronged the most and simply write down what you would say to them if one day you turned a corner and they were there.

M: Sorry about that. Did the stain come out? What about the swelling?

J: There are so many things that could be.

J:If you had a soundtrack to accompany the story of how you feel right now, what would it be made up of?

M: Lots of trip-hop with breaks of dark, laid-back reggae.

J: If you had a child what would be the most important thing you would want them to learn from you?

M: Patience, perspective, and humor.

J: If you could build a bridge to a different time and save your younger self from something scary, what would it be and how would you do it?

M: I wouldn’t save myself. I might offer some encouragement to little me to be brave, but I’d likely just watch to see how I handled it.

J: Give a title to the picture below.

J: One last thing….

What would make you happiest right now?

M: Enlightenment. But then, if I were enlightened, I don’t think I’d be happy. I’d simply know that happiness is on the same emotional spectrum of anger, sadness, and anxiety—and knowing wouldn’t stop the feelings from happening, it would just make me aware of their sameness and impermanence. So if I decided to be happy now, I must expect to be sad/angry/indifferent later. Sheesh. I don’t know.

I guess I’d like a soft, chocolate chip cookie—and 1% milk.

J: If you give a mouse a cookie…

Here's To Boise with Randy Grishow Schade

Mon, 26 Sep 2011 16:44:00 -0400

There are very few people who are willing to delve deeply into a depressive mind and perfect its musings. During the making of ‘The Bridge’ I became surrounded by people with all sorts of different connections to the work and the cause.

I found a brave soul in Randy Grishow Schade when he jumped at the prospect of putting together a collection of poetry for charity. I have always known there to be a courage and boundless commitment and creativity to Randy ever since we were in school together. Whatever Randy put himself to do he did with a religious dedication the Church would weep to know they are missing.

For this project Randy became my caretaker, editor, cheerleader, confidant and publisher. Founding Blackhawk & Noble Press (in honor of his beloved Grandma) to facilitate my words and the artist’s work to raise money for The Hunger Project.


More importantly he opened up his home, heart, and trust to me. We have been friends a long time and have had our fair amount of differences. Poetry brought us healing and closeness. Stitching up old wounds and expanding our understanding of how the other’s heart works.

Since then we have spent more time laughing and quoting favored movie lines. We laugh so much. We dream of one day owning a pomeranian farm/drag club/funeral parlor/bookstore in Boise when we are old and wrinkled homosexuals. He inspired me to write poems about friendship and closeness which cannot clearly be defined and has emboldened me to not be afraid of life, however painful it might be.

Here is our interview for ‘The Bridge’. And here, my dear love, is to Boise.

J: If a book from your childhood (or one you have read recently that you wish had been around during your childhood) fell open and you were pulled by a big hand into its adventure, which would it be and why?

R: Hands down, “The Boxcar Children” by Gertrude Chandler Warner. I secretly wanted to be Benny the talkative, funny and quirky youngest sibling. Looking back now at these characters, I’ve realized I held an infantilized passion for the oldest brother, Henry: creative yet analytical, charismatic but isolated, older and sensitive. I suppose the adventure would be “The Mystery of the Gangly Homosexual”: thwarting advances and assuming new aliases, The Boxcar Children unearth the mystery of missing gender identities, sexuality and a severely worn VHS tape of “All About Eve”; WHO does it belong to?

J: That is one of my favorites too! And you are right, Benny, so gay. Wait. All About Eve is one I watch on repeat…does that mean I am gay too…(gasp)

R: Maybe you could be the gangly homosexual in the mystery?! At least, I’ll point the others in your direction while Henry and I play Slap-and-Tickle in the boxcar.

J: That or I could join forces with Nancy Drew and we could live a quiet life of lesbianism and mystery solving.

R: “The Case of the Missing Home Depot Gift Card”

J: “The Hidden Tool-belt”

J: If you could spend a week in the company of any writer (dead or alive), who, what would you do, and which story/novel/comic/whatever would they be writing while you were there.

R: That’s easy: Gouverneur Morris and Thomas Jefferson in June of 1776. Both authors had the ability to put forth text that would have relieved subjugation, death and strife had they included any Equal Opportunity Employer clause we all know by heart today. I’d go back in time with three ballpoint pens, three notebooks and any history book of your choosing published after 1990. On the first day, we will sit down at the City Tavern, share a pint, and I’ll sit there quietly for four hours (Morris and Jefferson each get two hours to pour through the history book). I’ll be around for the following five days to answer any questions they might have, referencing the history book I brought. On the seventh day we’ll all sit down and discuss what should be included in The Declaration of Independence and Constitution so that a majority of that shit in the history book doesn’t happen.

J: (silence) I’m sorry. My head just exploded with how smart and awesome you are. So, it is kind of like your creation story?

R: What? I thought this would have been everybody’s fantasy: prevent subjugation, strife and douchbaggery that white males have cultivated on Earth.

J: Well, when you put it like that…

R: I’m also inundated with American history in Philadelphia. Plaques are everywhere…

J: If you have ever suffered from something; heartbreak, allergies, depression, lactose intolerance, etc. what made you feel better, what did you learn from it and what did you wear?

R: All events- mundane, minor and major- are marked by musical periods. Music is my religion, headphones my pastor and a good tune my sermon.

J: You really do know how to pick them. Whenever you have made me play-lists I have found them to be exactly what I needed.

R: Music is medicinal. Whether it helps to add a little pep in you step or to marinate momentarily in melancholy music is religious.

J: When you were putting together ‘The Bridge’ what sermons did you abide by?

R: Jenny, it got pretty bad…Requiems were being played continuously: Verdi, Preisner, Blanchard, Fauré, Berlioz. It was a challenge to find something simultaneously optimistic and masochistic. Many of the poems have this underlying current of gray and I always see shades of gray listening to requiems. I swear, if I hear one more Dies Irae this year…

J: …I know. You are such a trooper.

R: Maybe that’s why I can only listen to glo-fi when I want to relax. Gone are the days of Lacrimosa.

J: If you could replace any actor and play their character; who, what, why and how would you bring something astonishing to the role?

R: I would succeed in replacing Vera-Ellen as Judy Haynes in “Irving Berlin’s White Christmas.” Everyone remembers Kaye, Crosby, and Clooney- but that Vera-Ellen played the role of Rosemary’s sister for crap. And let’s be honest, Danny Kaye probably would have been more interested in his love interest seeing as how I have his preferred anatomy… “You are not exactly Superman, but you are awfully available.“ Com’mon, I could kill that line.

J: And, you happen to look great in drag. High-heeled Parrotfish anyone?

R: Did I ever tell you that those heels I was wearing were from the Starr Jones Payless line? That gurl knows how to make a killer size-14 four-inch heel.

J: Wow! That is pretty spectacular.

R: I’m thinking of becoming their spokesperson.

J: If you could get any artist in all of history to draw/paint/ take a photo portrait of you who would it be and what roll would you play in their lives?

R: During the love affair that Jean Cocteau and I (supposedly) had between 1928-1930, I inspired him to create the woodcuts he used in “Le Livre Blanc.” I would maintain our chȃteau in the rural pastels of the French countryside where he could come and go as he pleased and I would write, paint and host extravagant parties.

J: When you fall in love, what does it smell like? If you have never fallen in love write about what you think it smells like.

R: Falling in love smells like pumpkin pie: freshly baked it’s warm and mesmerizing. After baking the pie you let it sit out to cool and it saturates every article in the house; you can’t escape the concocted scent of pumpkin, nutmeg, cinnamon and ginger. Once you refrigerate the pie and it goes cold, the pumpkin and spices become stagnant, concentrated and uninspired. Once you have a cold pumpkin pie in front of you there are options, do you reheat a slice of pie and reignite the scent or overwhelmed by the project of hand, do you throw it away?

J: Or you could eat the piece cold with a scoop of vanilla and a swirl of whipped cream and see what happens. Add a cup of English Breakfast for good measure.

R: See, the possibilities are endless! Love is deciding what to do when the pie goes flaccid…or tepid. No, let’s say “tepid.” Though “flaccid” paints a better picture. Edit that out, I don’t want people to think I’m trying to revive an “American Pie” gag from the 90’s. We’ll know I really meant “flaccid.”

J: Sorry, as interviewer I do not interfere with nature, I just let it take its course. “Flaccid” it is.

R: Rude!

J: (laughs)

J: In a perfect world I would be there with you, and we would have tea and cookies. Where would we meet, and after a lovely hug or warm hand-shake, what would we talk about.

R: Didn’t you get the memo? I rented out Radio City Music Hall- Daddy Warbucks style and they’re showing a quadruple feature: “Drop Dead Gorgeous,” “The Birdcage,” “To Wong Foo Thanks For Everything, Julie Newmar” and “Ice Age.” We will sit in the first mezzanine enjoying Tabasco Popcorn and shrimp pasta quoting the films ad nauseum.

J: I am so there. SO, there.

R: Bitch you’d better be, don’t you know how expensive that was? To rent out Radio City and buy all 5,931 seats?

J: If you had a soundtrack to accompany the story of how you feel right now, what would it be made up of?

R: There’s usually a bouillabaisse of crap emanating from the closest sound system in my life. I’m constantly on the quest to find queer, independent and feminist artists. MEN and Justin Vivian Bond have been on continual repeat throughout this year- that must say something. A trans artist, newly emerging on v’s own, seeks to inhabit Bacchus while engaging the taboo and culturally (ir)relevant discourse.

J: Don’t forget Beth Ditto!

R: Ah, crap! How could I forget. Yes, edit that… How dare I forget the homosexual aspect. A trans HOMO, newly emerging on v’s own, seeks to inhabit the dance floor and Bacchus while engaging current theoretical and sociological discourse. Such is 2011.

J: If you had a child what would be the most important thing you would want them to learn from you?

R: I would teach my child about feral or extreme isolationist case children as a scare tactic. I’d give them the ultimatum: seek knowledge or I’ll chain you to the doghouse out back. Whenever they act out I will hold a book and leash like Lady Justice (in place of her scales and sword) and with a commanding Kathleen Turner resonance, in my statuesque pose, I will ask, “how do you want to solve this problem?” Kids love me…

J: Awkward…

R: Seriously, Jenny. I would want a little human to continually ask me “why” rather than blithely accepting apathy.

J: I was talking about the Kathleen Turner reference…

R: (laughs) Oh. Would it be better if it were a Steve Urkel resonance?

J: If you could build a bridge to a different time and save your younger self from something scary, what would it be and how would you do it?

R: My mother, especially, has socialized me to think that ‘everything happens for a reason.’ To go back and alter an event from my past would be the ultimate wrongdoing to my current self. I am the culmination of previous successes, mishaps and sidesteps. For better and worse, I would impart the advice, “it gets different.” (The whole “It Gets Better” campaign in the past few years has been inane and misleading, at best.) “Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and good in every thing.” Yeah, my Mom is Shakespeare.

J: Your mother is amazing and so are you.

R: Dude, I almost forget to tell you, my mom made up a new word: “sillyinski.” I’m going to try to use it in a sentence today…

J: Oh, you mean when you call that modeling agency that has been hounding you? I am really into the idea of adding model to your business cards…just saying.

Variation On The Word Sleep by Margaret Atwood

Sun, 25 Sep 2011 08:43:51 -0400

I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head

and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear

I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and as you enter
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.

Last Call

Fri, 23 Sep 2011 14:58:00 -0400

As many of you know, my first book of poetry “The Bridge” has recently been published by Blackhawk & Noble Press and the first printing of my book is almost sold out! Yippee! All profits from the book will be donated to The Hunger Project, so I’ve been doing a lot of the shipping and handling myself to keep the costs down. While the book will still be for sale after the first print edition has sold through, the royalty share to The Hunger Project decreases by 47% when purchased through Amazon.com and 74% when purchased through bookstores. Boooooooo!

“The Bridge” has already been an amazing journey and success for me and those involved. One of my poems, “Arias” was turned into a song by Teddi Tarnoff and I found out Wednesday that Pikes Peak Metropolitan Community Church in Colorado Springs will be using one of my poems,“Watercolor Pencils” as the basis of next Sunday’s sermon. How cool is that!? I feel super blessed and honored to be a part of this project.

I only have 25 books left and after these are sold through I’m going to stop shipping out copies myself and let online distributors take over so I can start my next project! I’d love to send you a signed copy of my book and give as much money as I can to The Hunger Project- that’s why I’m posting this now.

All you have to do is go to www.JennyChecchia.com and click “Buy Now” (It’s only $13 bucks; including shipping) put in your information and you get a signed copy of my first book of poetry!

Thank you to everyone for all of your love and support!

Make Art Not Hunger,
Love and kisses,

Jenny

when you have forgotten Sunday: the love story by Gwendolyn Brooks

Tue, 20 Sep 2011 15:50:00 -0400

—And when you have forgotten the bright bedclothes on a Wednesday and a Saturday,

And most especially when you have forgotten Sunday—
When you have forgotten Sunday halves in bed,
Or me sitting on the front-room radiator in the limping afternoon
Looking off down the long street
To nowhere,
Hugged by my plain old wrapper of no-expectation
And nothing-I-have-to-do and I’m-happy-why?
And if-Monday-never-had-to-come—
When you have forgotten that, I say,
And how you swore, if somebody beeped the bell,
And how my heart played hopscotch if the telephone rang;
And how we finally went in to Sunday dinner,
That is to say, went across the front room floor to the ink-spotted table in the southwest corner
To Sunday dinner, which was always chicken and noodles
Or chicken and rice
And salad and rye bread and tea
And chocolate chip cookies—
I say, when you have forgotten that,
When you have forgotten my little presentiment
That the war would be over before they got to you;
And how we finally undressed and whipped out the light and flowed into bed,
And lay loose-limbed for a moment in the week-end
Bright bedclothes,
Then gently folded into each other—
When you have, I say, forgotten all that,
Then you may tell,
Then I may believe
You have forgotten me well.

poetry is your heart scattered on the page in markings of the lead or felt-tipped variety. wholly moving when written by someone else as if they have been peeping in on your undressed thoughts. -me

Hey, Meagan! with Meagan English

Mon, 19 Sep 2011 13:55:39 -0400

Meagan English is an actor, writer, singer and model extraordinaire living in L.A. where she shares her life with Poofy, Peanut, Paul and a bevy of wonderful friends.

Meagan is also my friend. A friend who has not been afraid to map out the turns and twists of our hearts with me. She has inspired me to write poems about healing and love. And though we spend most of our time apart these days, we are never far from the other in heart or thought.

She agreed to write the forward to my first book of poetry, The Bridge, and when I read what she had come up with I cried and cried. I was full of love. Someone gets me, and not only does she get me but says, “me too”.

Meagan is in a new musical Hey, Morgan! Opening at The Black Dahlia Theatre in L.A. Friday October 7th at 8:00pm running through to November 19th. I haven’t been able to see the show but I have listened to the music. Laughed until tears. For tickets visit http://www.brownpaperticke ts.com/event/194367!

Hey, Morgan! is also an L.A. Times fall pick!

To keep up with Meagan and all her happenings visit www.meaganenglish.com.

Join us below as we shout, “Hey, Meagan!”

J: If a book from your childhood (or one you have read recently that you wish had been aroundduring your childhood) fell open and you were pulled by a big hand into its adventure, which would itbe and why?

M: There was a Choose Your Own Adventure book that I read about five times. It was set in England with fairies, magic, and stone circles. I loved its dark beauty and mystery. The same things were simultaneously my potential salvation and downfall. That last part is probably a projection of my older self, but I like to think I was that profound at eight-years-old. I just Wikipedia-ed the titles. I’m fairly certain it was called The Enchanted Kingdom.

J: If you could spend a week in the company of any writer (dead or alive), who, what would you do, and which story/novel/comic/whatever would they be writing while you were there.

M: Steve Martin has a brilliant grasp of human nature and finds it both funny and poignant. He is fantastic at exploring all of our shades of gray without falling into neurotic cynicism … even while his characters are often nearly undone by their own neuroticism.

J: If you have ever suffered from something; heartbreak, allergies, depression, lactose intolerance, etc. what made you feel better, what did you learn from it and what did you wear?

M: Speaking up, allowing myself to feel, having healthy boundaries, trusting my gut, asking for help from my friends, listening to 80’s music, going to the gym and cats. Not that I wore my cats. Instead, I wore clean lines, sexy boots and more earrings. I also did my hair. I stopped feeling guilty about caring what I looked like and that it made me feel better to look better. I think Nelson Mandela had it right.

M: I’ve been known to be pretty witty and amusing. Not every wry observation or joke can be a winner, of course, but you have to take that social risk, or what’s the point? As I get older, though, I have learned not to hide behind jokes, and that sincerity is a rare and awesome commodity.

I’m also a really good listener and I have amazing friends. I must be doing something right to have such a bevy of beautiful people in my life to love and love me back.

J: What color does the word ‘Penelope’ make you think of and how long does it last?

M: At first it made me think of purple, but I’m fairly certain that was only because I like alliteration. Now it’s yellow, bright and playful: yellow Wellington boots, with matching yellow slicker and rain hat in a well-tended, if kitsch garden, replete with garden geegaw and those little white, wire stakes.

Wasn’t that also the name of that pig movie with Christina Ricci? I never saw it. I heard it was good.

J: If you could get any artist in all of history to draw/paint/ take a photo portrait of you who would it be and what roll would you play in their lives?

M: It would be fun to see what Diane Arbus would have come up with for a portrait session. But, let’s be honest, her work is kind of depressing. More than that, I’d love to have a word portrait taken of me by F. Scott Fitzgerald, J.D. Salinger or Larry McMurtry.

Does muse count?

J: Sure does.

J: When you fall in love, what does it smell like? If you have never fallen in love write about what you think it smells like.

M: It smells like Paul. Specifically, his armpits and the nape of his neck. Even my cat can’t get enough of his scent. She rubs her face in his armpits like he’s made of catnip. When that’s not possible, she likes to nest in his pants until she falls asleep. I take that as a good sign.

J: I would take it as a good sign too.

J: In a perfect world I would be there with you, and we would have tea and cookies. Where would we meet, and after a lovely hug or warm hand-shake, what would we talk about.

M: We would meet in the Australian Outback. You would bring plenty of water and a didgeridoo, and I would bring body paint. We would hug and maybe do some mushrooms (which I’ve never done), and then just float. Maybe we could tame a crocodile to ride through desert, and have tea and cookies at an oasis, real or mirage.

J: I don’t know what didgeridoo is but it sounds amazing. I am so there.

J: If you could write a book what would it be about, who is the person you would want to read it the most, and why?

M: A fable about getting to know our shadow. I’d want you to read it. I started it, you know. Hopefully writing this down will keep me accountable to myself.

J: If you had a soundtrack to accompany the story of how you feel right now, what would it be made up of?

M: Hall and Oates, Elton John, Flock of Seagulls, The Black Keys, Department of Eagles, and a little Wu Tang Clan for good measure.

J: If you had a child what would be the most important thing you would want them to learn from you?

M: Not to be scared of life; to embrace it, him or her self, and the present moment. From there comes awareness, truth and love.

J: Give a title to the picture below.

M: Listen

J: One last thing….

What would make you happiest right now?

M: A nap. Followed by my own cottage where I can live and create. Perspective.

Crayons At The Ready with Kristy Puchko

Mon, 12 Sep 2011 15:13:00 -0400

To celebrate the release of The Bridge each week I will be highlighting an artist who contributed their work to help us raise money for The Hunger Project (www.jennychecchia.com for your copy).

Kristy Puchko is up first. Lady has so much talent it makes my head spin. She writes, edits and directs films which have been known to be accepted into festivals. She also draws and colors with a vengeance, creating pieces with crayon that move my grown-up heart. She reminds of Scout with her sassy flare and her equal parts kid and adult tendencies.

Below are a few questions Kristy was kind enough to answer for me. Check out her reviews and other work at:

K: “There’s a Monster At the End of This Book.” It was an early favorite of mine in which Grover (from Sesame Street) reads the title and frets, fearing the monster at the end of the book and so begs you - the child reading - not to turn the page. And when you do, he’d cry and rail and panic more and more. My mom used to read it to me as Grover, her voice growing higher and more panicked as we went on. She’d cry out (as Grover), “Oh I am so SCARED! PLEASE DO NOT TURN THE PAGE?” Then she’d turn to me and ask, “Should we turn the page?” I eagerly grabbed the book and turned the page and she’d cry (as Grover) “No!” It was a blast every time, and one I now replicate with my friend’s kids.

Of course, when you finally reach the end the monster is revealed to be…Grover. He’s so relieved and realizes how silly he’s been. It’s an interesting lesson about the futility of worry, and while I know it’s not much of an adventure - I have such positive memories of reading that book with my mom I’d pick it instantly. Plus Grover was always my favorite Sesame Street resident.

J: If you have ever suffered from something; heartbreak, allergies, depression, lactose intolerance, etc. what made you feel better, what did you learn from it and what did you wear?

K: What always pulls me out are my friends and husband, who let me know it’s okay to make mistakes and I’m worthwhile anyway. As to what I was wearing, probably slip on Keds, a skirt, and movie-themed T-shirt.

J: If you were to write a poem about your life so far, how would it go?

K: As garrulous as I am it would be an Allen Ginsberg style rant, Far too long and pretentious to put here.

J: Draw a picture of how you see yourself.

K: When I was in college I took an art studio course where one of the assignments was to create a self-portrait out of clay by first building our skull then adding flesh (more clay) to it. It involved a great deal of staring into a mirror to figure out what my bones must look like, and it turned out to be pretty life-changing. While there are parts of me I’ve always liked and hated, this project forced met to look at myself objectively. When I was done, the class generally agreed I’d seen myself pretty accurately except for my nose. Growing up I always worried it was too big and by no means pretty. And there it was on my clay head a big nose with an odd curve smack in the middle. Everyone agreed I got the shape right, but made it far too big. And I saw for the first time they were right. My nose wasn’t too big, and it wasn’t unattractive. It actually suited my head nicely when it’s the right size!

Now, while I still have moments (or days) where I look and he mirror and think, “Ugh,” most days I like the odd little parts that make me up. But still, my favorite attribute is my very blue eyes. They are the most often complimented part, and they change shade in the weather!

J: What color does the word ‘Penelope’ make you think of and how long does it last?

K: Yellow then Purple. 4 Seconds.

J: If you could get any artist in all of history to draw/paint/ take a photo portrait of you who would it be and what roll would you play in their lives?

K: I’d say Tara McPherson or Jess Fink. They both draw compelling women that are bold yet tender. I’d like to think we could be coffee-having matinee buddies.

J: When you fall in love, what does it smell like? If you have never fallen in love write about what you think it smells like.

K: I’ve been lucky enough to be in love for the last 12 years. And while I am deeply devoted to my (now) husband - I have no idea what that smells like. Um…lemon zest?

J: In a perfect world I would be there with you, and we would have tea and cookies. Where would we meet, and after a lovely hug or warm hand-shake, what would we talk about.

K: It sounds like we’d meet at Alice’s Teacup (which we should do and soon!) We’d talk about everything in big winding spirals of conversation that would likely seem random to anyone else.

J: I totally agree

J: If you had a soundtrack to accompany the story of how you feel right now, what would it be made up of?

K: Mostly eels songs. They’ve always seemed to be writing the soundtrack to my life. But also lately I’m obsessed with Frank Turner’s “Glory Hallelujah” which is like a church song for people who don’t believe in god. The first time I heard it I just felt free.

J: If you had a child what would be the most important thing you would want them to learn from you?

K: Laughter is priceless.

J: If you could build a bridge to a different time and save your younger self from something scary, what would it be and how would you do it?

K: There are things in my life I definitely regret or wished I’d handled better or wish I could have avoided, but I’m really happy with where I am now and fear fiddling with any one of those times might topple the whole Jenga tower of my life. So, I wouldn’t change a thing. Except maybe my hair in that horrible gradeschool photo from 5^th grade. Yeesh.

J: One last thing….

What would make you happiest right now?

K: I’m pretty happy right now actually, but a rootbeer float would be awesome.

J: Amen, sister.

My first book of poetry is now available in paperback including...

Tue, 06 Sep 2011 11:21:48 -0400

My first book of poetry is now available in paperback including artwork from award winning artists. Visit www.jennychecchia.com to purchase your copy to benefit The Hunger Project.

Teddi Tarnoff has created an original composition of...

Tue, 06 Sep 2011 11:16:43 -0400

Teddi Tarnoff has created an original composition of “Arias” written by Jenny Checchia from her first book of poetry, “The Bridge”, available now in paperback.

Stay calm

Tue, 30 Aug 2011 11:20:26 -0400

mcnallyjackson:

We’ll be open from 10 til 6ish tomorrow, with Sunday looking a bit iffier, obviously. There’s still plenty of time to lay in some Leaving the Atocha Station and some Mad Libs.

What I love about this is I totally went to McNally before heading to higher ground. When I walked up to the counter with my ninja Mad Libs the pleasant associate said, “That’s an inspired choice.” I really enjoy tumblr.